Stalking Nabokov
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Stalking Nabokov

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ISBN-13:
9780231158565
Einband:
Buch
Seiten:
0
Autor:
B Boyd
Gewicht:
708 g
Format:
234 x 163 x 34 mm
Sprache:
Englisch
Beschreibung:
This book is a real treasure. It represents a considerable range of work by the author of one of the great biographies of the late twentieth century, who is also a lucid and consistently engaged and engaging critic. A remarkable read--all readers and scholars of Vladimir Nabokov will need this book. -- Michael Wood, Princeton University Brian Boyd is, without question, the foremost single authority on Vladimir Nabokov's life and art and has been generally considered such ever since the publication of his magisterial two-volume critical biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years. Not only is anything that Boyd writes about Nabokov significant, but his study of Nabokov is remarkably dynamic--there's just no other word for it. Stalking Nabokov tells a fascinating story of continual intellectual rediscovery and of Boyd's own development as reader, student, literary sleuth, biographer, critic, colleague, collaborator, mentor, and, best of all, rereader. -- Susan Elizabeth Sweeney, College of the Holy Cross, president of the International Vladimir Nabokov Society and co-moderator of the Vladimir Nabokov Electronic Forum (NABOKV-L) At the end of the twentieth century, Vladimir Nabokov was judged as one of the ten greatest writers in the world of that century. And I can confirm that the two best works ever written on Nabokov--anywhere in the world--are Brian Boyd's two-volume account of Nabokov's life and work. In these volumes, the specifics of Nabokov's life are thorough and precisely correct, and the description, evaluation, and interpretation of all of Nabokov's writings remain to this day the finest ever written. All Nabokov scholars must use Boyd's work and interpretations as a basis in order to go forward from any other perspective. So without question, he is the greatest Nabokov scholar in the world -- Stephen Jan Parker, University of Kansas, founding editor of The Nabokovian and author of Understanding Vladimir Nabokov
AcknowledgmentsList of AbbreviationsIntroductionNabokov: The Writer's Life and the Life Writer1. A Centennial Toast2. A Biographer's Life 3. Who Is "My Nabokov"? Nabokov's Manuscripts and Books4. The Nabokov Biography and the Nabokov Archive5. From the Nabokov Archive: Nabokov's Literary Legacy Nabokov's Metaphysics6. Retrospects and Prospect/s 7. Nabokov's Afterlife Nabokov's Butterflies8. Nabokov, Literature, Lepidoptera 9. Netting Nabokov: Review of Dieter E. Zimmer, A Guide to Nabokov's Butterflies and Moths Nabokov as Psychologist10. The Psychological Work of Fictional Play Nabokov and the Origins and Ends of Stories11. Stacks of Stories, Stories of Stacks Nabokov as Writer12. Nabokov's Humor 13. Nabokov as Storyteller 14. Nabokov's Transition from Russian to English: Repudiation or Evolution? Nabokov and Others15. Nabokov, Pushkin, Shakespeare: Genius, Generosity, and Gratitude in The Gift and Pale Fire 16. Nabokov as Verse Translator: Introduction to Verses and Versions 17. Tolstoy and Nabokov 18. Nabokov and Machado de Assis Nabokov Works19. Speak, Memory : The Life and the Art 20. Speak, Memory : Nabokov, Mother, and Lovers: The Weave of the Magic Carpet (1999)21. Lolita : Scene and Unseen 22. Even Homais Nods: Nabokov's Fallibility; Or, How to Revise Lolita 23. Literature, Pattern, Lolita; Or, Art, Literature, Science24. "Pale Fire": Poem and Pattern25. Ada : The Bog and the Garden; Or, Straw, Fluff, and Peat: Sources and Places in Ada 26. A Book Burner Recants: The Original of Laura NotesBibliographyIndex
At the age of twenty-one, Brian Boyd wrote a thesis on Vladimir Nabokov that the famous author called "brilliant." After gaining exclusive access to the writer's archives, he wrote a two-part, award-winning biography, Vladimir Nabokov: The Russian Years (1990) and Vladimir Nabokov: The American Years (1991). This collection features essays written by Boyd since completing the biography, incorporating material he gleaned from his research as well as new discoveries and formulations. Boyd confronts Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd offers new ways of reading Nabokov's best English-language works: Lolita, Pale Fire, Ada, and the unparalleled autobiography, Speak, Memory, and he discloses otherwise unknown information about the author's world.
Sharing his personal reflections, Boyd recounts the adventures, hardships, and revelations of researching Nabokov's biography and his unusual finds in the archives, including materials still awaiting publication. The first to focus on Nabokov's metaphysics, Boyd cautions against their being used as the key to unlock all of the author's secrets, showing instead the many other rooms in Nabokov's castle of fiction that need exploring, such as his humor, narrative invention, and psychological insight into characters and readers alike. Appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever the author's multifaceted genius.